[REQUEST] 凋叶棕 – 童遊


picture by ini (inunabe00)

【Requested by Walpurgisnacht

凋叶棕 – 童遊

華咲。
望み望まれてここに。
めでたきものはこれにあり。

hanasaku.
nozomi nozomarete koko ni.
medetaki mono wa kore ni ari.

Flowers blossom.
All the wishes are gathered in here.
Here where everyone is joyous.

夢と現と交えては。
幻想郷に、遊ぶがいい。

yume to utsutsu to majiete wa.
maboroshi no kuni ni, asobu ga ii.

Each time dreams and reality collide.
Come have fun in the Land of Illusions.

空を征くものがいる。
怪異を祓うものがいる。

sora o yuku mono ga iru.
kaii o harau mono ga iru.

There’s someone soaring the sky.
There’s someone exorcising aberrations.

それらを望む子らがいる。

sorera o nozomu kora ga iru.

And there’s someone wishing to be them.

御伽噺を耳にして。
思い巡らす其れ以上に。

otogi banashi o mimi ni shite.
omoi megurasu sore ijou ni.

Listen to this fairy tale.
And let your wishes flow, more and more.

生きる幻想が其処に居る。

ikiru gensou ga soko ni iru.

The living illusion is right there.

いつの世も
めでたきものは
往来の

itsu no yo mo
medetaki mono wa
ourai no

In every world
Joyful people
Are coming and going

童遊の
なかにこそあれ

warabe asobi no
naka ni koso are

And such things
Are part of a Kid’s play too

華咲。
まこと優雅、舞うたれば。
華の都は、これにあり。

hanasaku.
makoto yuuga, mau tareba.
hana no miyako wa, kore ni ari.

Flowers bloom.
True elegance, floating, dancing.
The capital city of flowers is right here.

夢と現と交えては。
今日も変わりなく町角に。

yume to utsutsu to majiete wa.
kyou mo kawari naku machikado ni.

Each time dreams and reality collide.
Nothing changes between today’s street corners.

華散。
口伝伝承を祀れば。
めでたきものはこれにあり。

hanachiru.
mukashi banashi o matsureba.
Medetaki mono wa kore ni ari.

Flowers fall.
Worship such folktale.
For those joyful beings reside in it.

夢と現と交えては。
幻想郷に遊ぶがいい。

yume to utsutsu to majiete wa.
maboroshi no kuni ni, asobu ga ii.

Each time dreams and reality collide.
Come have fun in the Land of Illusions.

空で踊るものがいる。
怪異を使役うものがいる。

sora de odoru mono ga iru.
kaii o tsukau mono ga iru.

There’s someone dancing in the skies.
There’s someone dealing with aberrations.

それらを真似る子らがいる。

sorera o maneru kora ga iru.

And there are kids mimicking them.

拙いものと思えども。
その手に握る其れこそが。

tsutanai mono to omoe domo.
sono te ni nigiru sore koso ga.

Even if you’d recollect your unlucky past.
That too, hold it in your hands.

いつか幻想を生んでいく。

itsuka gensou o unde iku.

For one day it may give birth to an illusion.

さあ詠え
舞い踊りては
華やかに

saa utae
mai odorite wa
hanayaka ni

Come on, let’s sing
And dance to it
So gorgeously

己が描く
命名決闘を

onore ga egaku
warabe asobi o

To this kid’s play
I’ve drawn for ourselves

彩風。
まこと優雅、舞うたれば。
風の神も、めでたからむ。

sayakaze.
makoto yuuga, mau tareba.
kaze no kami mo, medetakaramu.

Fresh wind.
True elegance, floating, dancing.
It will surely please the God of Wind himself too.

夢と現と交えては。
明日の来る事を疑わず。

yume to utsutsu to majiete wa.
asu no kuru koto o utagawazu.

Each time dreams and reality collide.
Don’t question tomorrow’s arrival.

微風。
名をそこに、込め入れば。
道往く者も、めでたからむ。

soyokaze.
yume o soko ni, komeireba.
michi yuku mono mo, medeta karamu.

Gentle breeze.
Place your dreams inside it.
So even those walking the streets will rejoice.

夢と現と交えては。
幻想郷に遊ぶがいい。

yume to utsutsu to majiete wa.
maboroshi no kuni ni asobu ga ii.

Each time dreams and reality collide.
Come have fun in the Land of Illusions.

伝説の夢の国に生きて、生きて、生きて。
明日行く町角は片隅、そこかしこに。
耳を澄ませば、その息遣いを聞く。

densetsu no yume no kuni ni ikite, ikite, ikite.
asu yuku machikado wa katasumi, soko kashiko ni.
mimi o sumaseba, sono ikidzukai o kiku.

Live in the Land of legendary dreams, live, live.
The street corners leading to tomorrow are everywhere.
And if you clear your ears, you can hear them breathing.

空も、地の底も、星の水際も全てに。
うつろいゆく季節の、その狭間でさえも。
望み望まれてそこにあり。

sora mo, chi no soko mo, hoshi no migiwa mo subete ni.
utsuroi yuku kisetsu no, sono hazama de sae mo.
nozomi nozomarete soko ni ari.

Even in the sky, even in the depths of earth, even among the stars’ coastlines, everywhere.
And even in between the threshold of the changing seasons.
All the wishes are gathered in there.

華咲。
まこと優雅、舞うたれば。
華の都はこれにあり。

hanasaku.
makoto yuuga, mau tareba.
hana no miyako wa kore ni ari.

Flowers bloom.
True elegance, floating, dancing.
The capital city of flowers is right here.

夢と現と交えては。
人も妖も諸共に。

yume to utsutsu to majiete wa.
hito mo ayakashi mo morotomo ni.

Each time dreams and reality collide.
Humans and Youkai are all together.

華散。
そして日も、暮れぬれば。
躍り疲れて家路なり。

hanachiru.
soshite hi mo, kure nureba.
odorii tsukarete ieji nari.

Flowers fall.
And then the Sun sets too.
Tired of dancing, it becomes our way home.

夢と現と交えては。
幻想郷に遊ぶがいい。

yume to utsutsu to majiete wa.
maboroshi no kuni ni asobu ga ii.

Each time dreams and reality collide.
Come have fun in the Land of Illusions.

華咲。
そしてまたも、町角に。
童遊の変わらずに。

hanasaku.
soshite mata mo, machikado ni.
warabe asobi no kawarazu ni.

Flowers bloom.
And then, again, between the street corners.
The kid’s play stays unchanged.

夢と現と交えては。
幻想郷はこれにあり。

yume to utsutsu to majiete wa.
maboroshi wa kore ni ari.

Each time dreams and reality collide.
There will be an illusion inside it.

華咲。
望み望まれてここに。
めでたきものはこれにあり。

hanasaku.
nozomi nozomarete koko ni.
medetaki mono wa kore ni ari.

Flowers bloom.
All the wishes are gathered in here.
Here where everything is joyous.

夢と現と交えては。
幻想郷に、遊ぶがいい。

yume to utsutsu to majiete wa.
maboroshi no kuni ni, asobu ga ii.

Each time dreams and reality collide.
Come have fun in the Land of Illusions.

Notes:

– Second stanza: 幻想郷 “Gensokyo” is read as “maboroshi no kuni” (the land of fantasy), which isn’t far from the meaning of the kanjis forming the word “gensoukyou” (幻 “maboroshi” is the “gen”). In the third to last stanza, Gensokyo is read as “maboroshi”.
– Eleventh stanza: 口伝伝承 (“kuden denshou”, literally “oral tradition”) is read as “mukashi banashi” (昔話, “folktale”). Japanese folktales were part of the oral tradition, and started being wrote down only in relatively recent times. Thus the lyrics’ choice.
– Thirteenth stanza: 使役う(read as “tsukau”) is wrote with the kanjis for “shieki” (“to use”) plus the okurigana “u”. The meaning doesn’t change. It chould have been 使う (“tsukau”), but it used this alternate kanji compound for unknown reasons.
– Fourtheenth stanza: 詠う (“utau”) is a verb similar to 歌う(“utau”). While the second one means “to sing”, the first one means“to compose a poem”. I prefered translating it as “sing”, though.
– Fifteenth stanza: 命名決闘 is read like the song’s title, “warabe-asobi”. It’s formed off 命名 (“meimei”, “naming”) and 決闘 (“kettou”, “duel”). I think it’s refering to this other 凋叶棕 song, which has the same kanjis as a part of its title.
– Eighteenth stanza: I’m not sure about the reading of 名 (normally should be “na” or “mei”, and should mean “name”). Being the song full of unrecognized special kanji readings, I can’t simply state I’m sure about everything I’m listening to. I keep on hearing “yume” (“dream”), and I think it’s what Merami is actually singing. So, “yume” is probably the special reading they gave to the 名 kanji.
– Seventh to last stanza: 妖 (ayakashi) is a term similar to “youkai”, which refers to apparitions / ghost / mythical beasts from the folklore. Being very ambiguous, I’ve decided to translate it as “youkai”, which is still a japanese term, but its meaning should be more “understandable”, expecially giving the fact we’re talking about a Touhou arrange.

Title: 童遊 (warabe-asobi) (Kids’ Play)
Circle: 凋叶棕 (Diao Ye Zong)
Album: 望 (Nozomi)
Vocals: めらみぽっぷ (Meramipop)
Lyrics: RD-Sounds
Arrangement: RD-Sounds
Release Event: Reitaisai 11
Source: 童祭 ~ Innocent Treasures (Kid’s Festival ~ Innocent Treasures ), Changeability of Strange Dream, Track #1

凋叶棕 (Diao Ye Zong) – 空に近い場所

akyu1
picture by kawashina (momen silicon)

C90 just passed by and here I am posting a song that will probably cause the third world war.
Diao Ye Zong is a great circle, and there are lots of person which love it more than I do, but by the time I’ve listened to this song… no, by the time I’ve read to this songs’ lyrics I wanted to translate them.
I’ve already translated some songs by this circle, and between them there are hidden gems that I’m glad I could add to my collection.
This one too is a song that I want to add to my website. I won’t translate other songs from utsutsu if not requested.
I hope other translators / users won’t thus be offended by this post, giving that I feel kind of “pressured” by what I post and I don’t post.
After all we can’t claim nothing over music.
This song doesn’t belong to me nor to anyone else.
It happened lots of times that I’ve translated songs that were already translated by someone else, but it also happened that songs that I’ve translated before anybody else could were translated anew again by someone else.
Why should I feel criticized for the first reason?
And why should I get angry for the second?
It’s pretty damn meaningless to me. I’m not saying this all to someone in particular, I’m just saying this because I’m posting “hot stuff” which probably caught the attention of lots of people / translators. Don’t worry if you find out about this, you can translate it anew (it’s not like my translations are gold, I don’t think this translation is flawless and I’ll gladly read other translation).
…And yeah, I won’t even lie about the fact that I’m trying to posting it ASAP, but that’s no contraddiction to what I’ve stated before.
So… friends like always, right?
[2017 edit: I remember having trouble with bullshit like that on some previous posts, just that. I’ll keep all of this because it’s still actual.]

凋叶棕 (Diao Ye Zong) – 空に近い場所

「ねぇごめんね。こんなことになって」と
その両目を潤ませ
あなたの手がそっとその震えを伝えて

“nee gomen ne. konna koto ni natte” to
sono ryoume o urumase
anata no te ga sotto sono furue o tsutaete

“Hey… I’m sorry it turned out this way” –
You said, as your eyes got wet;
Your hand transmitted your delicate trembling to me

触れ合う手で何かが伝わるの
何もかも押し付けて
それでもなおきっと伝えきれないことを

fureau te de nani ka ga tsutawaru no
nani mo kamo oshitsukete
soredemo nao kitto tsutaekirenai koto o

Can something be conveyed by our hands joined together?
We’ve press onto each other everything and anything
However I’m sure there are still things we couldn’t completely express

もう
いいともいやとさえも言えずにただ押し黙っては
感じる熱量だけ
もっともっともっともっと……高く。

mou
ii to mo iya to sae mo iezu ni tada oshidamatte wa
kanjiru netsuryou dake
motto motto motto motto… takaku.

But now
Even if you don’t say if it’s okay or not, even if you keep silent
I can just feel your warmth
Increasing more and more, higher and higher…

飛べない
私達には空を知る手立て無く

tobenai
watashitachi ni wa sora o shiru tedate naku

We can’t fly
There’s no way we could know the sky by any means

それでも
あなたはこうして私を求め続け

soredemo
anata wa koushite watashi o motome tsudzuke

And yet
You still kept on seeking for me this way

こうしていれば
まるで空を飛べるかというようにーーー。

koushite ireba
maru de sora o toberu ka to iu you ni…—.

If things will stay as they are
It’ll feel just as if we can actually soar the sky…

擦れあうのは互いの何処なのだろう
その口から零れる
小さな泡沫が意識の飛沫となって

sureau no wa tagai no doko na no darou
sono kuchi kara koboreru
chiisana utakata ga ishiki no himatsu to natte

Where should “quarreling” place between us, I wonder?
That little transience leaking from your lips
Became a splash of your consciousness

返す視線があなたをどうさせるだろう
全て無駄だと知っても
せめてほんのわずか甘く棘を挿すように

kaesu shisen ga anata o dou saseru darou
subete muda da to shittemo
semete honno wazuka amaku toge o sasu you ni

I wonder how can the looks I’m giving you back pierce through you?
Even though I know every bit of it is pointless
At least let me just pierce you with my sweet thorns

結局は
意味など無く永遠に至ることもない
内なる幻想だけ
もっともっともっともっと……深く。

kekkyoku wa
imi nado naku eien ni itaru koto mo nai
uchi naru gensou dake
motto motto motto motto… fukaku.

But in the end
There’s no such thing as making one’s way towards something for the whole eternity with no meaning whatsoever;
There’s just one’s own inner illusion
Which lies deeper and deeper, more and more….

飛べない
夜の何処かを独り独り彷徨うばかり

tobenai
yoru no dokoka o futari samayou bakari

We can’t fly
We’re merely wandering together, somewhere in this night

それでも
わたしはどうしてこの身掻き抱かれて

soredemo
watashi wa doushite kono mi kaki dakarete

But still
I don’t know why my body is being scraped in an embrace

夢と現の
境目にいながらにして戸惑うーーー。

yume to utsutsu no
sakaime ni inagara ni shite tomadou—.

As I lurk in the boundary
Between dreams and reality, I stay bewildered—

内なる願望
求めるものもわからずに
でも願うなら次に会うときにはいつも通りに

uchinaru ganbou
motomeru mono mo wakarazu ni
demo negau nara tsugi ni au toki ni wa itsumo doori ni

My inner wishes…
I don’t even know what I want to strive for
But if I can make a wish, I want the next time we meet to be like always…

飛べない
「貴女」とではどこにも辿りつけない

tobenai
“anata” to de wa doko ni mo tadori tsukenai

We can’t fly
Because if I’m with you, I can’t reach any place

優しく
そっと視線だけあなたを拒むように

yasashiku
sotto shisen dake anata o kobamu you ni

Gently
You were just refusing to cross my glance

それでも
心のどこかあなたを受け容れるのは

soredemo
kokoro no doko ka anata o ukeireru no wa

And yet
The reason for why I want to accept you from somewhere deep down my heart

飛びたい
そう思うこときっと似ているのだろう

tobitai
sou omou koto kitto niteiru no darou

Is because I want to fly
It’s surely something that’s similar to what I’m wishing

こうしていれば
きっと少しだけ空の近くへーー。

kou shite ireba
kitto sukoshi dake sora no chikaku e—.

If we’ll stay like this…
I’m sure we could get a bit closer to the sky…

Notes:

– Not quite sure about this, but where it says “独り独り” (hitori hitori, alone alone) I clearly hear a single “futari” (together, 2 people). There’s nothing confirming so in the booklet, so… I’ll leave it “futari” because I can hear it clearly enough.
– “utakata” can both mean “bubbles” or “transitory”. “Bubbles coming out your mouth” isn’t really… poetic. “ephemeral” / “transient” makes it better and more poetic, doesn’t it? I hope it’s right this way, really. The meaning of that stanza I’ve translated? (at least my version?) “The things you’ve said in certain moments (thus ephemeral) are what made me know about the deepest part of your will”, in other words, “I got to know you through what you’ve said”.

UTSUTSU-350x350

Title: 空に近い場所 (sora ni chikai basho) (Somewhere close to the Sky)
Circle: 凋叶棕 (Diao Ye Zong)
Album: 夢 (utsutsu)
Vocals: めらみぽっぷ (Meramipop)
Lyrics: RD-Sounds
Arrangement: RD-Sounds
Release Event: C90
Source: ジャパニーズサーガ (Japanese Saga), 東方求聞史紀 ~ Perfect Memento in Strict Sense, track #1

凋叶棕/Diao ye zong – 夜聞

yabun
picture by yae (mono110)

“And so, the night’s border is something that fully blooms in loneliness.”
…Ok, it’s a bit weird that this post comes right after another one where I stated that Merami is probably not that much of a singular element.
It’s not true. I love her and you should know it.
And I love her even more when she’s able to sing THIS way.
First of all, thanks to Eiki for sending me this lyrics’ scans booklet, I was really searching for them.
My God, 夜聞 by 凋叶棕/Diao ye zong (which is from the same album as the last post) is one of the best Merami songs I’ve listened in a while.
I don’t even know how I got to listen to this, being that I’ve totally ignored the latest toranoana‘s releases.
I just happened to listen to this song, and I fell in love with it.
This song comes with an incipit on the booklet, where it can be read “Fairy Tale”. Then, it follows this short text (that I’ve translated):
I cannot be touched by you. Why you ask? Because the you who touches me is not the you that I love. Somewhere, in this night, the atmosphere you’re perceiving, the darkness you’re looking at… I want to overcome this all and feel you. Because during each night I can hear you“.
Isn’t it fascinating?
Think about the beauty of something pure. Will its beauty still be that pure after someone dares to ruin it with their own hands?
I think that’s the main point of the whole song.
Its rhythm is really simple and minimal, that until the main bridge where everything gets more intense.
Merami’s vocals are absolutely outstanding during the whole song, but on that bridge they’re beyond words.
Beautiful, silent, astonishing, yet so eerie and oppressing. I love it.
Well, I’m particularly fond of the Theme of Eastern Story (which appears in each title screen theme of Touhou), so of course I would like a song like that.
It’s composed of really short stanzas (which really fits the mood), so the song seems really long, but it actually isn’t. I wanted to keep a similar structure so I could try to convey that silent feeling the song has, so I hope the translation won’t feel weird because of this choice of mine.

凋叶棕/Diao ye zong – 夜聞

そっと耳澄ます
静寂に身を重ねて

sotto mimi sumasu
seijaku ni mi o kasanete

I silently concentrate
Blending my body into quietness

けして聞こえぬもの
今なら聞こえてこよう

keshite kikoenu mono
ima nara kikoete koyou

I can now clearly listen
To what I couldn’t possibly do before

遥か 遠く

haruka tooku

Distant, far away…

そっと空掴む
滑り落ちてゆく闇

sotto sora tsukamu
suberi ochite yuku yami

I gently seize the sky
In a darkness which slips away

いつか遠くに見た
麗しきその姿

itsuka tooku ni mita
uruwashiki sono sugata

I saw it one day, from a distance
That graceful appearance

思い 描く

omoi egaku

Drawing my memories…

ーー今宵
永き夜をして
得体の知れない モノどもと
あなたはーー

–koyoi
nagaki yoru o shite
etai no shirenai monodomo to
anata wa–

–I’ll turn this evening
Into an everlasting night
Along with each strange occurrence
And you–

聞きたい
あなたの息遣いが

kikitai
anata no ikidzukai ga

I want to listen
To you, breathing

聞きたい
あなたの花開くのが

kikitai
anata no hana hiraku no ga

I want to listen
To your flower while blossoming

聞きたい
あなたの空を踏むのが

kikitai
anata no sora o fumu no ga

I want to listen
To you, stepping in your sky

聞きたい
あなたの纏う幻想が

kikitai
anata no matou gensou ga

I want to listen
To the illusion you’re wearing

そうして、夜のほとりをひとり 舞い踊るものよ。

soushite, yoru no hotori o hitori maiodoru mono yo.

And so, the night’s border was something to dance alone to.

夜が
暴かれきってしまったのなら
きっと照らされてしまうから

yoru ga
abakarekitteshimatta no nara
kitto terasareteshimau kara

If the night
Will end up blazing up in rage
It’ll surely be brighten up

夜の
どこか
あなたの姿がみえない
空を介して

yoru no
dokoka
anata no sugata ga mienai
kuu o kaishite

Somewhere
In the night
There’s your unseen appearance;
The empty sky will mediate us

あなたと
おなじ空気に触れては

anata to
onaji kuuki ni furete wa

Me and you
Touched by the same atmosphere

あなたと
同じ闇に身を重ね

anata to
onaji yami ni mi o kasane

Me and you,
Our bodies blending in the same darkness

あなたと
同じ空を掴み取る

anata to
onaji sora o tsukami toru

Me and you,
Grasping the same sky

あなたの
声をこの夜に聞こうとして

anata no
koe o kono yoru ni kikou to shite

And I’m trying
To listen to your voice in this night

だから

dakara

So…

聞こえる
あなたの息遣いが

kikoeru
anata no ikidzukai ga

I can hear you,
I can hear you breathing

聞こえる
あなたの花開くのが

kikoeru
anata no hana hiraku no ga

I can hear you,
I can hear your flower blooming

聞こえる
あなたの空を踏むのが

kikoeru
anata no sora o fumu no ga

I can hear you,
I can hear I’m stepping in your sky

聞こえる
あなたの纏う幻想が

kikoeru
anata no matou gensou ga

I can hear you,
I can hear the illusion you’re wearing

今 こんなにも

ima konna ni mo

Now, this much…

そうして、夜のほとりにひとり 咲き誇るものよ。

soushite, yoru no hotori ni hitori sakihokoru mono yo.

And so, the night’s border is something that fully blooms in loneliness.

Notes:

– I always say that my first problem is english. First stanza, I perfectly know what “mimi o sumasu” means, but I can’t translate it in english without making it sound dumb. “To clear up one’s ears so he/she will be able to listen better” it’s the meaning. I can’t find a pretty way to say that. “Concentrate” it’s pretty fitting though imprecise. Keeping in mind that its meaning is what I just wrote, I’m keeping “concentrate”.
– The main verses which features “kikitai” could be ambiguos, being “kiku” a verb which could both mean “to listen” and “to ask”. Probably it’s more a request than a wish. “Kikoeru” is only “to listen”, so no problem here.
– In the 14th stanza, 空 (sora, sky) is read with its on-yomi “kuu”. I think that’s not only a choice which was decided due lenght, but also because when “sora” is read as “kuu” on compound words, it loses its meaning of “sky” to gain its other meaning, “void”, “emptiness”. I tried to blend those meanings.

uroboooo

Title: 夜聞 (Yogiki)
Circle: 凋叶棕/Diao ye zong
Album: 東方幻奏響UROBOROS業~eNDoFtHEuLTIMATEoVERdRIVE~
Vocals: めらみぽっぷ (Meramipop)
Lyrics: RD-Sounds
Arrangement: RD-Sounds
Release Event: C89
Source: 永夜抄 ~ Eastern Night (Eternal Night Vignette ~ Eastern Night), Imperishable Night, Title Screen Theme

[REQUEST] Feuille-Morte – River

river

【Requested by B016

Feuille-Morte – River

紅い日が落ちる 夕暮れ 全て紅く染まって その中に一人佇む 彼女の名も【紅】
物憂げに 頼りなさげに 揺れる水面の先に 遠くへと行ってしまった彼の姿を想う

akai hi ga ochiru yuugure subete akaku somatte sono naka ni hitori tatazumu kanojo no na mo [Scarlet]
monouge ni tayori nasage ni yureru minamo no saki ni tooku e to itteshimatta hito no sugata o omou

On a twilight where the Sun is setting everything is dyed in crimson; in the midst of it, a girl named “Scarlet” stands still
Before the swaying water surface, with melancholy, thinking about him, the figure of someone who went far away…

ーーー嗚呼。 「紅い日、紅い河」あのとき交わした言葉は。
今もまだ私をここに留めているのに。

—-aa. “akai hi, akai kawa” ano toki kawashita kotoba wa.
ima mo mada watashi o koko ni todometeiru no ni.

—Aah, “Oh red days, oh crimson river”, the words we exchanged that day.
And yet I’m still here in the same place where I used to be…

必ず帰って来るからと どうか待っていて欲しいと 再会の契りはここで その背中を送った
来る日も また 来る日も この橋 渡り来るものを 待ち続けて 今日も そうして日がまた落ちゆく

kanarazu kaettekuru kara to douka matteite hoshii to saikai no chigiri wa koko de sono senaka o okutta
kuru hi mo mata kuru hi mo kono hashi watarikuru mono o machitsudzukete kyou mo soushite hi ga mata ochiyuku

“I’ll surely be back” and “Please, I want you to wait for me”, with this promise I bid farewell to you, from your back
The day will come, again, the day will come, and I’m still waiting for that person to cross this bridge even today, and even when the Sun will set…

紅い紅い その河辺に 咲く一輪の花のように 帰りを待つその影は 夕闇に紛れ
紅い紅い その水面に 映る姿が揺れるたび けして戻らぬ時間の 流れるのを知る

akai akai sono kawabe ni saku ichirin no hana no you ni kaeri o matsu sono kage wa yuuyami ni magire
akai akai sono minamo ni utsuru sugata ga yureru tabi keshite modoranu jikan no nagareru no o shiru

On that red, red riverside, a shadow waiting for a return blends into the dusk like a single blooming flower;
The swaying shape reflected on that red, red water knows the flowing of the time that won’t ever come back…

何度 星を数えたろう 何度 声を幻聴いたろう 待つことの 苦しさよりも 時が この身を苛む

nando hoshi o kazoetarou nando koe o kiitarou matsu koto no kurushisa yori mo toki ga kono mi o sainamu

How many times have I counted the stars? How many times I thought I heard your voice? Rather than the pain of waiting for you, it’s time itself that’s torturing my body…

ーーー嗚呼。朽ち行くこの身が 約束を阻むのならば 永遠を欲した
そう、願った。

—aa. kuchiyuku kono mi ga yakusoku o habamu no naraba eien o hoshiita
sou, negatta

—aa, If this rotting body of mine would deter that promise of seeking for the eternity…
That’s what I’ve wished for.

この身が朽ちる前に この心が移ろう前に
永遠を手にすること この場所でいつまでも…

kono mi ga kuchiru mae ni kono kokoro ga utsurou mae ni
towa o te ni suru koto kono basho de itsumademo…

Before this body will rot away, before this heart of mine will lose interest,
I have to get my hands on the eternity, forever in this place…

紅い紅い この河瀬が 人の心を聞くのなら 水底に沈むそれの 願いを聞くのか
こうして 紅い紅い この河辺に ひときわ紅い花が咲く 帰りを待つその姿 けして枯れぬ花

akai akai kono kawase ga hito no kokoro o kiku no nara minasoko ni shizumu sore no negai o kiku no ka
koushite akai akai kono kawabe ni hitokiwa akai hana ga saku kaeri o matsu sono sugata keshite karenu hana

If those red, red waterfalls could read one’s mind, would they listen to that wish that sunk down the water’s depths?
Thus, on the red, red riverside a vivid crimson flower has blossomed: it’s the never-perishing flower waiting for that figure to return.

いつしか 紅く紅く咲いたその花 彼を迎えるその日まで 美しき【赤色の花】は紅く紅く咲き誇る
紅く紅く咲いたその花 今も一輪揺れているのは いつか帰る彼のためと 今も 待ち続けている

itsushika akaku akaku saita sono hana kare o mukaeru sono hi made utsukushiki [SCARLET] wa akaku akaku sakihokoru
akaku akaku saita sono hana ima mo hitowa yureteiru no wa itsuka kaeru kare no tame to ima mo machitsudzuketeiru

That flower blossomed unnoticed in deep crimson, and until the day she could meet him again, Scarlet was in a splendidly full bloom
That flower blossomed in deep crimson is still swaying for his return of someday, it’s still waiting for him

Notes:

– There are no special readings wrote on the booklet. I guessed them all by ear, so they COULD be wrong, but I’m somehow positive I got them right. Anyway, I’ll make notes about them.
– The first one is in the first stanza. 【紅】 could be read in lots of way, “kou”, “akai”, “kurenai”, “beni” and such, but I kept hearing “sukare” or something like that. I’m guessing it’s “SCARLET”, being the word in katakana スカーレット (sukaaretto), but it’s pronounced in a non-katakana way. Aka in english. So, I’m positive it’s “scarlet”, but it’s not 100% confirmed by anyone.
– First stanza, 彼 “kare”, which could both mean “he”, “him” or “boyfriend” in certain contexts, is read as “hito”, which means “person”. Its meaning is basically reduced to something less
– Fifth stanza, “genchou” (幻聴) which means “auditory hallucination”, is simply read as “kiku” (聴く, with the same kanji), which means “to listen”. I tried to blend the meanings.
– The second note is repeated on the last stanza. 【赤色の花】(aka-iro no hana) is read, again, as “scarlet”, with english pronunciation.

misorogia

Title: River
Circle: Feuille-Morte
Album: ミソロジア
Vocals: めらみぽっぷ (Meramipop)
Lyrics: RD-Sounds
Arrangement: RD-Sounds
Release Event: 秋M3 か-07a
Source: Original

Foreground Eclipse – A Retrospective: Part 5/5 [final]

FRG05

I was late, but I kept my promise: it’s time for the very last part of Foreground Eclipse’s retrospective (whose title should be something like “The walking dead meets Gordon Ramsay and some japanese music and sh*t”).
We already talked about every album they made, with few exceptions.
This last part will feature the songs I didn’t cover in the previous 4 posts.
Long story short, here’s the list:
– Seated with Liquor (CD), only the songs by FgE
Demo CDs, only the songs which are different in a way or another compared to the others I’ve already talked about
– Extra, meaning tracks by Foreground Eclipse featured in non-fge albums
– Bonus Tracks that I haven’t talked about in the previous posts.
It’s basically the same drill as always, except that this time under each song there will be wrote from which album they come from.
Think of this post as a bonus rather than a final post.
Because I want the 4th one to have the “final post” vibe.

Missing Tracks

The songs on this part will be ordered following the time they came out.
So of course we’ll start with the older ones.
The rating system is the same!

.Alone With You (Dying To See Your Face)
From the album: Foreground Eclipse Demo CD Vol.01
Personal rating: ★★☆☆☆
I think this song needs to be featured in this post even though I’ve talked about it on post #2.
And that’s because I think that the demo CD version of it is at least 100 times better than the one featured in their first CD.
It’s still not something over the standards of FgE, but is surely something that fits better the lyrics / original theme.
The vocals are way better too.
A calming theme such as Green Eyed Jealousy is hard to arrange into something fast-paced and “violent” such as this song’s CD version.
I think this one is more appropriate, while it still isn’t an outstanding arrange.

.Perchance To Dream: Ay, There’s The Rub
Personal rating: ★★★★★
From the album: Foreground Eclipse Demo CD Vol.04
As I stated on the part 2 post, this song’s CD version isn’t a full 5 stars song, because I think they overdid a little bit with the backing track / guitar, ruining a bit this song’s atmosphere.
This version is way more fluid and is a 5 stars song, to me.

.Someday in the Rain
Personal rating: ★★☆☆☆
From the album: 東方夏空翔
This song never featured in a all-FgE album, and I wasn’t aware of it for a long timespan before getting to listen to it.
It’s another arrange from Kogasa’s theme together with UFO’s stage 2 theme, but as much I can’t say I like this song as much as I like other songs by them, I can clearly state that this one is way better than Nooneness from Each and Every word (…).
First of all, the vocals are way cleaner and fits better with the rhythm.
The main bridge of Nooneness isn’t half bad to be honest, but the rest of the song is so dischording it’s hard to listen to, in my opinion.
While this song doesn’t shine, it’s overall very soft and catchy, so it’s easy to listen to, in a certain way.
Also, this is the only Foreground Eclipse song that has been never translated before.
That until tomorrow. That was a spoiler.

.Sleeping Forest
Personal rating: ★★★★★
From the album: Panoram A Note
Another song never featured in a fge-only album, and another song I first listened to way later than it came out.
I think this is the most peaceful song they ever composed.
Its rhythm is very soothing even though it’s a rock song, and, together with Forget Me Not, I think this is the song in which Suzuori‘s talent with bass / guitar is displayed the most.
While I listen to this song, I feel like lying on the grass in the middle of a forest where the sunlight is faint, filtered by the tree branches, and a fresh wind is blowing gently.
It’s amazing.
This song also remembers me of a similar memory I shared with a dear person some years ago.
So of course I love this song because of its feeling and memories I’ve linked to, but I really think it couldn’t have happened if the music itself wasn’t good.
I love the bass lines during the main riffs and the drumsticks are amazing.
It’s really strange, because while the guitar and the drums makes this song really fast-paced and catchy, the result is very calming and atmospheric.
It’s really a shame this never featured in a FgE album, because I really think of it as one of the most beautiful song by the FgE of Suzuori period.

.I Bet You’ll Forget That Even If You Noticed That
Personal rating: ★★★★
From the album: 東方幻奏響UROBOROS ~fANTASIAsPIRALoVERdRIVE~
Nothing much to add from what I’ve said before on part 3, but I think that the version of this song featured on this CD is slightly worse than its first version, fatured on the seventh demo CD.
I think that the synthetizers were a little bit unnecessary.
On another note, this CD version’s guitar are a little bit better and have cooler effects. So it’s kind of a draw to me. 4stars-4stars.

.どらぶ
Personal rating: ★★★☆☆
From the album: Each And Every Word Leaves Me Here Alone
Thinking about it, this track was never translated too. I think that’s mainly because no one could f*cking understand its lyrics.
Anyway, this song is the secret track from Each And Every Word Leaves Me Here Alone and at first I really liked it.
I mean, it’s really short and really differend from the rest of the album, so even if it wasn’t a bonus track it would have felt like one.
This song is also hella fun to play on the bass.
Unrelated to this, I remember 3 years ago when I was playing American Idiot by Green Day with a band live I decided to change that song’s bass line with the one from どらぶ, and turned out it came out pretty good.
Anyway, this song is of course made for fun, but it still is really good in terms of music.
First of all, that’s the first secret track to actually be a song. The other secret tracks from the previous 2 CDs are just talking and won’t be on this part merely because they’re not songs.
Second, because it’s a 100% foreground eclipse song. Songs like this one (or truth ironies or others) which are actually made for fun bring the fge spirit the most, in my opinion.
If you ever find lyrics for it, let me know! I’m dying to read them!

.To The Terminus
Personal rating: ★★★★
From the album: Foreground Eclipse Demo CD Vol.08
This song. Ohh, this song. For some reason it’s a song that I can’t say I love, but on the other side I forgot about it really easily.
It’s really strange. I tend to forget songs that I don’t like.
And I like this song a lot. I clearly remember I couldn’t stop listening to it when it first came out, but I always end up forgetting about it.
No matter how much I listen to this song, I always get the feeling I’ve already listened to a song like that before.
It sounds so FgE-ish that it feels like something already heard from them.
That’s probably why this song is always overshadowed by something else in my mind.
I like it a lot, but I don’t think I can say this song is something new and original.
I could recognize this song only by its beginning / end.
Also, the Seated with Liquor version of it just adds some screams and instruments now and then, so there’s no need to write about it twice.
This is probably the song by FgE that I can’t clearly think about.

.You May Not Want To Hear This But
Personal rating: ★★★★
From the album: Seated with Liquor
Here we are with Seated with Liquor, a half-fge half-dte album which I loved!
This is the first FgE track featuring in the album, and I like it a lot.
This song follows the style of “I Bet You Forget(…)” both in title and structure, and just like it is really hard to tell which is the original theme from where it comes from.
I don’t know if I like more this or the other, but I can say for sure that I love this song’s vocals and lyrics more than lots of others FgE songs.
It’s probably one of the best FgE songs in terms of vocals in a screamo/metal song.
Expecially the last part, I love it!
There are actually two versions of this song, one of which has been released online and was the off-scream one.
…Never understood why. This song has almost no screams whatsoever, what’s the point of releasing a non-scream version of it?

.When Innocence Is Just A Mask
Personal rating: ★★★☆☆
From the album: Seated with Liquor
It’s a shame a song with a title that awesome isn’t that great. Of course, in my opinion.
The reason being that just like To The Terminus, it’s a pretty normal song that doesn’t add anything to what I expected.
It’s of course fge-ish everywhere, but nothing that can be considered different from other songs we already listened to.
I can’t say I dislike this song, but for some reason I don’t think of it as a particularly remarkable fge song.

.We Cannot Get Out of Here Forever
Personal rating: ★★★★★
From the album: Seated with Liquor
As you probably read on my top 15, you knew this is one of my favourite touhou arrange ever.
And I’m talking about both DtE version of this and the FgE’s cover.
There are some parts that I like more on a version rather than the other and vice versa, but overall I like the version by FgE more because… well, it’s FgE.
I loved this song when it first came out as a DtE song, and I couldn’t believe Foreground Eclipse decided to cover it when I read the tracklist of Seated with Liquor.
What were the odds this would have happened? That’s crazy!
Of course I can’t really describe why I like this song so much in a post called “FgE Retrospective”, being this song not an original FgE song.
But still, I’m really happy they decided to make a cover of it!

.恋のTwinkle☆Dance (SECRET TRACK)
Personal rating: ★★★★★
From the album: Stories That Last Through The Sleepless Nights
On the previous post I wrote that it couldn’t have been a better way to end their final CD than their last track “Storytellers“.
But it’s not like that, actually.
Go back to the time you first listened to this CD.
We had the crossfade and tracklist some time ago before we could actually get to listen to the CD’s contents.
We knew the tracks’ names and how many they were.
So, we listened to the whole CD, from R.U. to Storytellers, knowing that this was going to be their very last track.
And Storytellers is a really touching song both in vocals, rhythm and lyrics, and I don’t think it’s necessary to understand japanese to get that.
And now, with wet eyes, a new song we didn’t know about starts playing. This album’s “SECRET TRACK“.
The song starts off as a silly one, with a bizarre set of lyrics and childish rhythm.
And then we have:
– Amazing guitar tracks
– Out-of-context screamings that somehow fits perfectly
– Merami shouting random things on acid
– Teto chocking on his own screams
– MOTHAFUCKING SOLO OF EPICNESS
– “JA NA!” (See ya!) at the end!
Guys, this is the best track to end Stories that Last Through the Sleepless Nights, in my opinion.
Like I said for どらぶ, silly songs like this one are really fge-ish, and this time we have a better, faster, longer and way more amazing secret track than we ever had before!
Ok, this isn’t an original song too, being an arrange of 恋のTwinkle☆Dance from old Merami’s circle nanafuretto (ななふれっと).
But this again isn’t something bad.
It’s the same circle from where FgE re-arranger The Distant Journey To You, that, as I said on part 1, is probably one of the most important song they ever composed.
And with it, the circle is closed.
Until the day we’ll hear more, if it’ll come.

About this post

It was really fun to write all this 5 posts and to read your opinions.
I really hope you enjoyed reading a little bit my babbling, and that everyone who never listened to Foreground Eclipse before could start doing so.
Bands are like that. Forming and disbanding as the time goes on.
But music never fades away, really.
And neither does the will to do it.
Merami still sing in lots and lots of circles, as you already know.
I really wish Teto will start producing music again, one day. Wether FgE or not, he was a really talented musician, and it’s kind of sad that he’s not publishing anything anymore.
So, never lose hope on music, and keep listening to it.
It’s up to us to keep alive what doesn’t seem to be alive anymore!
Thank you for reading!
And see you tomorrow for a Foreground Eclipse translation post… Ok, you already know what it’s going to be.

Rating system:
☆☆☆☆ – Poor
★★☆☆☆ – Nice
★★★☆☆ – Good
★★★★☆ – Very Good
★★★★★ – Excellent

Retrospective parts:

Part 1: Wishes Hidden in the Foreground Noises
Part 2: Missing, Loving… and Suffering + Tears Will Become Melodies Tonight
Part 3: Each And Every Word Leaves Me Here Alone
Part 4: Stories That Last Through The Sleepless Nights
Part 5: Extra, Bonus tracks, Seated with Liquor

じゃあね!

Foreground Eclipse – Storytellers

sg

Let’s say this one is a special post.
To celebrate the end of my Foreground Eclipse retrospective serie, here’s a translation of their very last song, Storytellers.
Well, it hasn’t ended yet. There’s still one post left that will cover Bonus Tracks, Seated with Liquor, Demo CDs and stuff, but it won’t come before the late first half of December.
There’s no need to say something about it, I’ve said everything on the fourth retrospective post here.
What I want to say is that I can’t allow this masterpiece to be untranslated on my wordpress.
A lot of people have already translated it, but that’s the first time I did.
I treasure this song like few others, so this is probably one of the translations I’ve poured my everything on.
By the way, there aren’t other Foreground Eclipse’s songs that hasn’t been translated yet.
Well, there are, actually.
One is どらぶ, the secret track from Each and Every Word Leaves Me Here Alone, whose lyrics can’t be find anywhere and I’m dying to read.
Similar to it, there’s the Christmas Bonus Track from Tears Will Become Melodies Tonight, but that’s short and nonsensical and MAYBE I can guess them by ear, meaning that, who knows, I’ll post that stupid track around Christmas if I want to.
Also, Wishes Hidden in the Foreground Noises did too, but that’s even more forgettable.
But there’s also another untranslated Foreground Eclipse song that I’m currently translating.
And of course while is not one of the songs I like the most, is surely feels great to be the first translating something by Foreground Eclipse that hasn’t been translated yet! But again, I’ll translate it after the last retrospective post, so…
About Storytellers, again, there’s not much to say.
I think that’s the most intense and powerful (on an emotional level) song that they ever composed, and it’s absolutely perfect.
It’s a song which covers each aspect of FgE’s story, of our story.
Just like the sadness of something that has ended but that has left us wonderful memories we won’t ever forget.
Its lyrics are probably the best ever featured in a song by them.
And here’s something you probably don’t know. Lots of this lyrics’ section are actually from other FgE’s songs. Some are obvious, other aren’t, but this song is actually their ultimate song which contains everything they did in 5 years of activity.
So, for now, once again, enjoy this masterpiece’s lyrics.
We’ll see more Foreground Eclipse very soon on the next retrospective post…
And next posts will be only about requests, because I have kind of left them behind.

Foreground Eclipse – Storytellers

Our stories last!

不思議といえば不思議 愛といえば愛
ここに無いものは どこにも無いもの
独りでに消えてゆく 想いに命を
眠れない夜たちに 綺麗な世界を

fushigi to ieba fushigi ai to ieba ai
koko ni nai mono wa dokonimo nai mono
hitori de ni kiete yuku omoi ni inochi o
nemurenai yorutachi ni kirei na sekai o

If you say it’s a miracle, than it is so; if you say it’s love, than it is so;
What isn’t there is something that’s not even anywhere else;
Alone in my thoughts on those sleepless nights,
My life on this beautiful world would have disappeared

誰にも言えない 言葉を持ってるなら
そのまま君は どこまでも進めるさ

darenimo ienai kotoba o motteru nara
sono mama kimi wa dokomademo susumeru sa

If you have something you can’t say to anyone,
You can just go forward as you carry it along, you know

いつまで色褪せない かけがえ無い想い
輝いてる未来へ 僕ら走り出す
さよならなんて言わない いつだって会えるさ
優しさに包まれた 君を連れ出すよ

itsumade iro asenai kakegae nai omoi
kagayaiteru mirai e bokura hashiri dasu
sayonara nante iwanai itsudatte aeru sa
yasashisa ni tsutsumareta kimi o tsuredasu yo

With those irreplaceable memories whose color won’t ever fade,
We start running towards a sparkling future
I won’t say a thing such as “farwell”, because, you know, we’ll meet again someday
I’ll take you, covered in kindness, along with me!

I’m quite sure that I’ve got so many things now
All these stories are what you gave me here
Quite sure that you’ll never be alone
Cause I know you know where we really are

誰にも知りえない 僕らの旅路は
真実も皮肉も 連れ出す逃げ道
左の冷と右の燃で 壊すもののは今
優しい瞳の中 燃え盛る炎

darenimo shirienai bokura no tabiji wa
shinjitsu mo hiniku mo tsuredasu nigemichi
sa no rei to migi no moe de kowasu mono no wa ima
yasashii hitomi no naka moesakaru honoo

Nobody could even know what our journey will be like,
Truth and irony were the escape route that leaded us there;
The present is what the cold on my left and the hot on my right will destroy:
Inside your gentle eyes, a flame is burning brightly

ひとつの色を 大事に抱いてるなら
(But I think you need to know)
(Even if nothing you say could change the world)

hitotsu no iro o daiji ni daiteru nara
(But I think you need to know)
(Even if nothing you say could change the world)

If you embrace even a single color
(But I think you need to know)
(Even if nothing you say could change the world)

かすかな声も いつまでも消えないよ
(All the things you say could make a new world)
(And that’s what I really want to see)

kasuka na koe mo itsumade mo kienai yo
(All the things you say could make a new world)
(And that’s what I really want to see)

Even that faint voice will never disappear…
(All the things you say could make a new world)
(And that’s what I really want to see)

いつまで色褪せない かけがえ無い想い
輝いてる未来へ 僕ら走り出す
さよならなんて言わない いつだって会えるさ
愛しさに包まれた 君に届けるんだ

itsumade iroasenai kakegae nai omoi
kagayaiteru mirai e bokura hashiridasu
sayonara nante iwanai itsudatte aeru sa
itoshisa ni tsutsumareta kimi ni todokerunda

With those irreplaceable memories whose color won’t ever fade,
We start running towards a sparkling future
I won’t say a thing such as “farwell”, because, you know, we’ll meet again someday
I’ll send this all to you, covered in love!

僕たちは あの空へ羽ばたいて
(Take a look around)
遠い旅路は 君たちを待ってるよ
(Can you see the world we made)
(And now it’s your turn)

bokutachi wa ano sora e habataite
(Take a look around)
tooi tabiji wa kimitachi o matteru yo
(Can you see the world we made)
(And now it’s your turn)

We are flying towards that sky
(Take a look around)
The distant journey is waiting for you
(Can you see the world we made)
(And now it’s your turn)

ほら

hora

Come on!

See you!

cover_188027345

Title: Storytellers
Circle: Foreground Eclipse
Album: Stories That Last Through The Sleepless Nights
Vocals: めらみぽっぷ (Merami), Teto (screams)
Lyrics: Foreground Eclipse
Arrangement: Teto
Release Event: C85
Source: Original

Foreground Eclipse – A Retrospective: Part 4/5

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Looks like this serie is echoing a lot on twitter / comments / whatever.
Do you really like reading my blabbering that much? Maybe I’ll continue posting something like that from now on.
But let’s go straight to the content of this (actually not) last post of Foreground Eclipse’s Retrospective (whose title should be something like “Offering flowers to FgE’s gravestone while tacitly stating my flowers are better than yours: The Movie”).
There’s a link at the bottom of each retrospective post for reading the other parts, so just check it out!
Today’s post is about their very last album, Stories That Last Through The Sleepless Nights which came out 2 years ago, and I think it’s better to talk about it before, because Seated with Liquor isn’t a 100% FgE album and the other tracks are not featured on any other album fully by them.
Long story short, as you read on the bottom on other posts, this is the last part yet it isn’t, because there will be a fifth and (this time for real) last part which will cover Seated with Liquor as well as random FgE’s tracks from random albums, Demo CDs and Bonus Tracks (which of course I haven’t forgot about on the previous posts).
When I read this album was going to come out I was really excited, but that just because I didn’t read Teto’s statement about disbanding Foreground Eclipse after its release.
It was both beautiful and horrible.
They’ve been my favourite band and I’ve always dreamed about going to a live show by them someday.
It’s horrible to see both your dream and your favourite band shatter.
That’s why I listened to this album like I never did before with another one.
I can remember every feeling behind it. I can clearly remember the joy I felt listening to their new tracks as well as the tears I shed.
It was an amazing experience just between happiness and sadness.
This album features lots of song I got to listen to before thanks to Demo CDs or such, but also 2 original tracks we never listened before and a secret track that we won’t talk about today.
On another side, back on the day I’ve listened to this album my life wasn’t really going that well, and the album itself is linked to some memories that I wish I could erase (nothing that has to do with FgE, of course).
I don’t know if I love this album or not. It’s tainted with bad memories but it also shines under a special light I never saw again from that day.
One thing is for sure: It’s beautiful.
…Well, except for the typo on its cover (Stories That Last THOROUGH… Come on, Teto!)
So, what is this post about?
My opinions (I’m writing this again: MY PERSONAL OPINIONS) on Foreground Eclipse’s song, with comments, stories, ratings and everything.
This is purely subjective and it’s not absolutely a critic to Foreground Eclipse.

Stories That Last Through The Sleepless Nights

This album is the last one they ever made till today.
But “The Distant Journey” continues, right? And “I won’t say goodbye because we’ll meet again someday“, right?
You said so, Foreground Eclipse…
With Each and Every Word Leaves me Here Alone and the Demo CDs FgE’s fans now finally understood what was their new direction, so we could say that everyone was expecting those kind of arranges like the ones featuring this last CD.
Well, I guess no one was expecting them to break up out of the blue after it, though…
There are few things that I don’t find so outstanding about this CD, but thinking of it as their last CD, I can’t say I’m not satisfied.
The last part of this CD is expecially good and gives the right atmosphere, but we’ll see this later on this post and again on the next and final part of this retrospective.
Let’s start talking about this CDs’ contents.

02. Dear, Are You Getting Sober?
Personal rating: ★★★★★
No surprise on this one, you should have read it before on this post I made some time ago.
I also stated on this post that I wasn’t going to explain why I like this song so much, that because I planned to do this FgE Retrospective to begin with! (全ては計画通り!)
Anyway, I can easily say that this is my favourite Touhou arrange by them.
Meaning that it’s the only 100%-foreground-eclipse, non-original-track, non-other-arrange track touhou-related song that I like the most by them.
And it’s pretty strange, because that’s also one of their most cheerful songs in term of rhythms, and partly also in lyrics.
Let’s start saying that this song first came out with 東方魔法少女 アルティメット☆れいむ, another CD not by FE but in which they cooperated bringing this song with them.
And let’s also say that the first version of this song didn’t have its short intro “01, R.U.” which, for how much short it is, I think that’s the best intro they ever made, it blends perfectly with the song and it’s absolutely epic. Like the whole song, after all.
So, why I like this song that much?
First of all, the arrange is brilliant and features the new FgE style in every aspect of it, but it’s also a matter of spirit.
I think this song holds the real Foreground Eclipse’ spirit, starting from its title to its lyrics content and covering up everything else, from the screams to the vocals, from the instruments to the digressions.
It’s short, it’s simple. Its musical economy is perfect and I think everyone would love to listen to a song like this one, even someone who’s not so fond of japanese music. A good way to start a CD, and surely the best they ever made.

03. Last Liar Standing
Personal rating: ★★★★
This should be one of the main song from this album, giving that it’s an arrange of Satori‘s theme and she also appears on the cover.
But damn, this is short!
I like this song a lot, but I think they could have done better both in lenght / arrangement.
The thing I like the most of this song is how the vocals blend with the guitars.
I can’t simply describe how they make me feel, but they give me a strange feeling of uneasiness / helplessness which is really amazing and fits the lyrics perfectly.
I like these lyrics a lot, as well as the title itself which is really clever in my opinion.
There are lots of other tracks that may overshadow this one a little bit more, so, even if it’s an arrange of Satori’s theme, it’s not the first song that comes to my mind when thinking about the whole album.
But is still something. I think this track would have been better if was featured on the previous album.

04. Wandering, Never Wondering (There Exists A Shade)
Personal rating: ★★★★★
On the second part of this retrospective I’ve talked about Wandering Never Wondering and I’ve also said that while I like its overall arrangement, I didn’t like the vocals at all and was a song with a huge potential that ended up sounding quite lame in its final result.
Well, (There Exists A Shade) is a new and WAY MORE F*CKING AMAZING version of it.
It’s like FgE listened to my wishes.
It’s also true that this song first appeared in DJF 2012 COMPILATION similar to how Dear Are You Getting Sober? did, so it wasn’t really a “new” song to me.
I think this is one of the best arrangements for Last Remote ever made, and I love its lyrics way too much.
The vocals are amazing and the rhythm is overall way better than its previous version.
This CD is full of songs we already listened to before from other CDs / Demo CDs / Collaborations, but that’s mainly because of two reasons.
The first is because, being their last CDs and having changed their sound, they wanted to give a new shape to old songs by them…

05. Truths, Ironies, The Secret Lyrics
Personal rating: ★★★★
…Like they did with Truth Ironies The Secret Lyrics, releasing it on a single CD before having it feature on this CD.
There’s not really much I can say about this song that I haven’t say on part 1 of this retrospective, but I have to give it four stars instead of three because I like this version a lot more than the previous one.
So it’s not really a four-star song, it’s rather a threePLUS-star song.
Anyway…

06. (I Don’t Need Any Titles To This Song!)
Personal rating: ★★★☆☆
This song too came out before their last album, and as soon as it came out I couldn’t stop listening to it.
But I don’t know, maybe because I can understand its lyrics as I listen to them, maybe because they made new songs, truth is I don’t find this song that good as I think it was before.
Well, it’s still a good song, but I think I’ve forgot the reason why I liked it that much.
Probably, this song is not that fitting for an album like this one, being their last.
Or probably it is?
I mean, it talks about starting a story (the way you do in a RPG), so wouldn’t be weird if a song which screams “this is a beginning” from everywhere is featured in a CD that screams “this is the end” from everywhere?
Mhh…
The breakdown at 1:50 is still amazing, though.

07. From Under Cover (Caught Up In A Love Song)
Personal rating: ★★★★
As I was saying before, the first reason for their choice to focus on old and already-heard song is because of their sound change, but the second is probably because of the last part of the CD which features two original songs and an extra.
This is the first of the two original songs featured in Stories That Last Through The Sleepless Nights, and, for some reason, I though this was an arrange at first.
That’s probably why while I like this song I can’t say it’s something that stands out more than other songs.
Probably because while it’s an original it kinda sounds like something already heard before.
I mean, in terms of lyrics and arrange it’s awesome, and I liked this song a lot when first listening to it (and I still do).
But I can’t say it’s a masterpiece.

08. Storytellers
Personal rating: ★★★★★
Ok, I don’t think I can write about this song without getting chills down my spine. Let’s try.
…I already failed and I haven’t started writing anything. Geez.
Storytellers is the last track from Stories That Last Through The Sleepless Nights, and, in my opinion, not only the best track from this CD, but also probably the best track Foreground Eclipse ever composed.
It’s a really touching goodbye song that never gets old and makes me feel the exact same way as 2 years ago.
I’m not lying when I say that this song made me cry the first time I got to listen to it.
Starting off with its title, “Storytellers”.
The Storytellers are Foreground Eclipse, the music, the lyrics, everything, anyone.
We are the Storytellers.
Music connects people from everywhere in this world.
I am italian and I love Foreground Eclipse, how could this be possible in a world where everyone is confined to their own, small reality?
Telling a story will keep everything alive.
It could be a wonderful story or a love story, it could be the story of a voyage, the story of a group of friends, a story which has ended lots of years ago or a story that hasn’t ended yet.
As long as we are Storytellers, we can keep this stories alive.
Because we live in a world where it’s necessary to keep chasing our own path, but we must never forget the stories we carried along with us.
It doesn’t matter if it’s a happy story or a sad one, or if it’s something that makes us cry or laugh when we think about it.
As long as we can remember the times which made our ordinary life in this world even a little bit special and getting to tell more stories and listening to them, then they won’t die, they’ll never fade away from inside.
And that’s just the title.
I think that’s what this song is trying to tell us.
That we shouldn’t be afraid of anything, because things will eventually come to an end.
But what is left from them isn’t going to fade.
Things can change, but feelings don’t.
The love for someone we loved will always be eternal, even though space, time and conditions to keep it alive aren’t.
That’s exactly what this song’s about.
One day, we could find out about more things that we don’t know.
We could even discover the love of our life, or the goal of our own existence.
But we can’t do this alone, we can’t do this if we never experienced precious, ordinary things and kept them sealed in our hearts.
I would have never started this blog if I haven’t listened to Foreground Eclipse years and years ago, for example.
It’s a small thing, but isn’t the world made of small things?
So, it doesn’t matter if we “call it love or call it a miracle”, or if “what lies in here is something that’s not anywhere else”, because the world is made off small things that together builds up a huge, complex and unperfect yet beautiful and neverending puzzle called life.
Thank you for everything, Foreground Eclipse.
This is not a goodbye, isn’t that right? The distant journey will continue…
Because we are the Storytellers.
No other song could make me feel all of this as this one does every time.
And I think no other song could have ended this album as good as this one did.
Or maybe… [つづく]

About This Post

My eyes are all sparkly right now, I’m not joking!
It was amazing to start this retrospective thing, because I think it’s important to share our opinions and our feelings.
I love how lots of people told me what they thought about Foreground Eclipse’s song, and I’d really love to do something like that in the future.
Ah, but that’s not the end. There’s still one post left!
Also, about Storytellers. Maybe I haven’t say that much, but I can assure you I will very soon. Maybe tomorrow?
And of course, don’t miss the next posts, that’s really important too! There are lots of missing songs that I like a lot and lots of things to say!
So… See you tomorrow and really soon for the next post!
Love you~
Next post coming… Within the first week of December, I think.

Rating system:
☆☆☆☆ – Poor
★★☆☆☆ – Nice
★★★☆☆ – Good
★★★★☆ – Very Good
★★★★★ – Excellent

Retrospective parts:

Part 1: Wishes Hidden in the Foreground Noises
Part 2: Missing, Loving… and Suffering + Tears Will Become Melodies Tonight
Part 3: Each And Every Word Leaves Me Here Alone
Part 4: Stories That Last Through The Sleepless Nights
Part 5: Extra, Bonus tracks, Seated with Liquor

See you next post!

PS: RETURN PLZ. WE WANT MIMA BACK! …wait, I feel like something’s wrong.

Foreground Eclipse – A Retrospective: Part 3/5

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Here’s the third part of Foreground Eclipse Retrospective (whose title should be something like “the untold tale of Shion‘s approach to Foreground Eclipse that would have been better to stay untold”).
There’s a link at the bottom of each retrospective post for reading the other parts, so just check it out!
Last post marked the final stage of the first Foreground Eclipse period, with Suzuori leaving the band before the 6th demo CD.
From now on, we have a new guitarist/bassist, Syim, and the one taking control over the arrange system will be our legendary drummer/scream vocalist of the band: Teto.
Hard to believe enough, Foreground Eclipse totally changed with Teto as the official arranger, and while I liked lots of the first era’s songs, I think that Foreground Eclipse showed their best with their two last CDs, in a general way.
By doing this retrospective I had the chance to listen to the whole CDs again, focusing on the musical content rather than enjoying what I was listening, and I must say it was an amazing experience.
Each And Every Word Leaves Me Here Alone was the first CD by Foreground Eclipse that I remember waiting for.
Ever since the Demo CD #6, I listened to every song by them as soon as they came out, and so this CD was my first experience to actually wait for your favourite band to publish a brand new CD.
That’s so nostalgic, and I’d say I really miss this.
There are still CDs I’m waiting for and used to wait for, but nothing was like the thrill of waiting for a new FgE’s CD to come out.
I seriously hope they’ll show us a sign in the future. And by “they”, I mean Teto. A revival, maybe? A best of? Something? We’ve heard so many times of bands shattering and then reuniting out of the blue, so… let’s not throw away our hope.
So, what is this post about?
My opinions (I’m writing this again: MY PERSONAL OPINIONS) on Foreground Eclipse’s song, with comments, stories, ratings and everything.
This is purely subjective and it’s not absolutely a critic to Foreground Eclipse.

Each And Every Word Leaves Me Here Alone

This new era of Foreground Eclipse started with the 6th demo CD which featured two songs that totally blew my mind, and that we’ll talk about on this post.
Teto’s style of music is different from Suzuori’s, and while I first thought it was different in a bad way, I can now say that Teto as an arranger is way more well suited than Suzuori.
His style mainly focuses on strong, uneven rhythms and the use of the synthetizer, which is one of the main aspects of this new era.
The recording quality from now on seems to be better too, and every musical instruments of every track is so clear it could be heard without struggling (White Wind anyone?).
Before talking about this album, let’s spend two words on another thing you may think I’ve missed on the previous posts (but I actually did on purpose): the intros.
The intro for Vermillion Halo on Wishes Hidden in the Foreground Noises is a smooth track which, in my opinion, isn’t something one could spend more than two words about.
It’s something everyone could have thought about, and I think the song doesn’t change so much with or without it.
The intro for Fall of Tears is a little bit better, but, again, I couldn’t get into that song nor into its intro, and I really don’t know why. It’s also more similar to the new intros by FgE’s second phase.
From now on, with the track #01 “You can’t explain anything without the word ‘Destruction’“, the intros are becoming something more relevant for both FgE and FgE’s fans.

02. Destruction
Personal rating: ★★★★

Right of the bat, a song that I first listened to their demo CD #7 and I used to love.
I think the build up this song does with the intro is really unique, and while its intro is pretty long, I never considered it to be long enough.
This song without the intro isn’t just the same thing.
I said on the previous post something about Faith is for Transient People, and that’s exactly why I said it.
This song completely overshadows 恋詠 from their first CD, and I always wondered why they chose to arrange a song they already arranged before.
Was it maybe because they were not satisfied by their first arrange?
I think that’s the case, because this song was a huge hit since when the demo CD 7 came out, while the other is hardly remembered even by FgE’s most avid fans.
I really think that this track is a good start for an album, and that’s mainly because of its intro, but the whole song gives glimpses of how much FgE are changing.
With an opening like this one, FgE’s fans know what they were expecting from this new CD.
…Or were they?

03. Obstruction! Color It All Out
Personal rating: ★★★★

On the previous post, I’ve said something like “when you take a song and make another one based off the previous one, is pure sh*t!” or something like that.
Well, scrap that.
Destruction came before Obstruction, so, when I first read its title, I was like “this is surely going to be like Truth,Ironies & Angels,Monsters“.
But it wasn’t like that.
Or better, some parts of this song share aspects of the other, but even though the two songs could be linked between each other, they’re both really good.
The lyrics for this song came into my life at the right moment, when I needed them, and I can clearly remember every sensation this song made me feel 3 years ago.
On top of that, the arrange is really powerful and someway peaceful at the same time, and leaves us a lots of space to listen to Teto’s new techniques.
Now that I think about it, someone who’s accostumated to old FgE’s song, can find this album to be “out-of-their-style”, but if I stop and think about Foreground Eclipse, a song from Teto’s period is more likely to pop in my mind rather than one from Suzuori’s period.
There’s no such thing as a change, I’d rather like to say there’s the “discovery”. Foreground Eclipse didn’t change their way of thinking in terms of music, they just discovered new ways to express themselves and their sound.
And that applies to almost everything, actually.
Also, this song has a “secret ending” that, I clearly remember, scared the living sh*t out of me the first time.
Wasn’t expecting that.

04. I Bet You’ll Forget That Even If You Noticed That
Personal rating: ★★★★
The few things this song lacked were corrected in another version of it that we’ll see on post #5, but I still can’t give this song less star because of that.
Thinking about it, it made no huge difference whatsoever.
Yet another touhou arrange that hardly seems like one.
I can barely hear Hourai Victim in this, but I still like this a lot.
The fast-paced vocals that conceal really nice lyrics are probably what makes this song so unique it leads the band to make another one based off this style (post #5).
I remember when the album first came out, I didn’t listen to this song that much, but on a second moment I was completely stuck with this song in my mind.
Teto’s style is showing up really fast in this album, and this 3-hits combo of 4-star songs is the proof of how much I like Each and Every Word Leaves Me Here Alone…

05. Nooneness Is For Danger
Personal rating: ☆☆☆☆
…Except for this.
Seriously. Foreground Eclipse, just give up arranging Kogasa‘s theme, it’s really not your business (post #5).
The vocals of this song are horrible, and I can’t describe them otherwise.
The instrumental part is not bad at all, but the vocals are really unbearable.
I don’t know why Merami decided to sing it this way, because on other tracks of the same CD she proved us she’s gotten a lot better singing.
Only the main verse of this song is decent, but the rest of it is simply hard to listen to because of how poorly performed its vocals are.
But maybe even if the vocals were a little bit better, the song couldn’t have reached the level of the previous ones from this album.
In my opinion, it would have been better if this song wasn’t part of this album at all.
It’s so poor. And what the hell is “nooneness“? Isn’t that the cousin of Lochness?!

06. Things What Fowls Can’t See Confuse Us
Personal rating: ★★★☆☆
This song first appeared on their sixth demo CD, and was the first song arranged by Teto.
I clearly remembered how I loved this song.
It reveals us their new techniques and their new style, as well as Merami’s improved english.
Which… is still engRish, though.
And it’s probably the reason why I can’t give this song 4 stars, for how much I love it.
Because I think it would have been better if it was in japanese, and because I find some parts of it (mainly due the english usage) to be pretty lame.
In terms of music, this is nothing like the Suzuori’s era, and is surely the song that marked the rebirth of Foreground Eclipse.
With this song I realized how FgE lacked lots of things on their previous period of activity, and with it, I understood the importance of the glorious synthetizer.

07. Noble
Personal rating: ★★★★★
Throve Keys on the previous post was an tribute for Higurashi no Naku Koro ni, Noble is an arrange from one of its character’s song, “Dear You, Thanks“.
I didn’t even know this song before listening to Noble, so I thought it was an original.
After listening to Dear You, which is really nice, I realized how much better Noble was.
This song is stunning. There are no words for describing this song.
More than three years passed since I first listened to it, but I still get chills whenever I do that again.
In this track, we get to listen to Merami’s improved vocals.
Her skills became incredible, and her voice is more beautiful than always.
That’s exactly why I can’t understand how a singer as good as her made both this masterpiece and that sort-of-failure that is Noonenessblahblah.
Anyway, back to Noble.
This is probably the track I like the most from this CD and one of my favourite tracks of all time by them.
Lots of people are skeptic when it comes to listen to japanese music.
My sister is one of them.
I made her listen to this song and she actually liked it a lot.
Everything in this song is perfect, starting from the piano to the guitar’s riffs which, for how “metal” they are, don’t ruin the calm and peaceful atmosphere of this song at all.
Lyrics? Incredible.
Instruments? Perfect.
Arrange? Couldn’t be better.
A song that everyone could listen to and enjoy, because it has everything a song needs to have.
And, in my opinion, one of the best track they ever made.
Ladies and gentlemen, the track I like the most out of this album.

08. If You Feel Like Sinking Down
Personal rating: ★★★★
Here’s the first original track from this album, as well as the happiest one.
I love this song, and in that one in particular Merami’s english is a little bit better than any other songs she ever recorded.
The rhythm of this song is very complex and keeps changing and changing and changing, as if it’s reflecting the lyrics’ content.
I found this to be ingenious.
Also, the synthetizer is the main feature of this song.
I’d say that’s one of the most Teto-styled song they ever composed.
Probably it is amongst the original tracks, there couldn’t be a better track than this one to reveal how much FgE’s sound has changed throughout the years.
The digressions this song keeps having makes builds up lots of things: now tension, now happiness, now fear, now courage, now everything else.
I think only a band such as Foreground Eclipse could have wrote a song like this one.
And it’s pretty rare to see such positive lyrics from Foreground Eclipse, so we must treasure this song!

09. Escapes
Personal rating: ★★★★★
This song came out on demo CD #6, and was the song that made my jaws drop.
This. Is. Stunning.
The second original track from the album, and the best one for sure.
Probably I like Noble a little bit more, but this is still worth 5 stars.
The song builds up a feeling of hopelessness and the screams on this songs are probably the most appropriate screams out of every FgE’s song.
I love its lyrics and their backing synthetizer / guitar tracks, and the intro/build-up is epic.
No wonder why it’s one of their most famous original songs…
With this song that closes the album, we got a clear picture of Foreground Eclipse’s new style that is going to stay the same from now on.
I think that’s the most symbolic song from this album, just like The Distant Journey To You was the most symbolic one from Wishes Hidden in the Foreground Noises.
Together with Noble. But in terms of FgE’s new style, this song is probably a better example than Noble.

About this post

This CD meant a lot to me.
Probably more than Wishes Hidden in the Foreground Noises did.
Because while the other was the one which made me discover Foreground Eclipse, this one made me appreciate them more, and…
…It remembers me of an amazing period of my life and a lot of friends I love so much.
How appropriate is for a CD that makes me feel like that to have a track such as Noble inside it!
But we have not ended yet, there are still two posts.
From this point on, Foreground Eclipse will release demo CDs over demo CDs, and songs featured in album collections that will lead the band to collaborate with Draw the Emotional on Seated with Liquor and then they’ll shatter, but not before relasing their last album, Stories That Last Through The Sleepless Nights. Again, finding this more important (and a 100% FgE album) I’d talk about this before talking about Seated with Liquor and the other songs I’ve missed.
So….
Next post coming… I have no idea, soon, I guess.

Rating system:
☆☆☆☆ – Poor
★★☆☆☆ – Nice
★★★☆☆ – Good
★★★★☆ – Very Good
★★★★★ – Excellent

Retrospective parts:

Part 1: Wishes Hidden in the Foreground Noises
Part 2: Missing, Loving… and Suffering + Tears Will Become Melodies Tonight
Part 3: Each And Every Word Leaves Me Here Alone
Part 4: Stories That Last Through The Sleepless Nights
Part 5: Extra, Bonus tracks, Seated with Liquor

See you next post!
PS: Do you have perchance Merami’s telephone number…?

Foreground Eclipse – A Retrospective: Part 2/5

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Here’s the second part of Foreground Eclipse Retrospective (whose title should be something like “me babbling about Foreground Eclipse and forcing my opinions to readers, but we don’t care”).
There’s a link at the bottom of each retrospective post for reading the other parts, so just check it out!
As I stated on the previous post, I’ve decided to start with Wishes Hidden in the Foreground Noises for a lot of reasons, mainly being that’s the first CD I’ve ever listened from this band.
But today we’re covering the first EP, Missing, Loving… and Suffering as well as their second CD, the last from the Suzuori-era: Tears Will Become Melodies Tonight.
In my opinion, those two don’t shine as much as the other album does, and here’s an important lesson I’m revealing to you all.
I love Foreground Eclipse and they sure are one of my favourite band ever, but I’m not forced to appreciate every song they did.
When you love something or someone, you don’t have to hold back on what you don’t like about it/him/her/whatever.
You’re not forced to lie to yourself and say you like something you don’t!
…Okay, you got the picture. There will be some 1-star-rated songs on this post.
So, what is this post about?
My opinions (I’m writing this again: MY PERSONAL OPINIONS) on Foreground Eclipse’s song, with comments, stories, ratings and everything.
This is purely subjective and it’s not absolutely a critic to Foreground Eclipse.

Missing, Loving… and Suffering

Let’s not count those EPs with two tracks (FgE made a lot of those), I’ll talk about them (if there’s need to do so) on the fifth part of this “retrospective”.
Following the order, Missing, Loving… and Suffering is their very first CD that I’m glad I didn’t listened before Wishes Hidden in the Foreground Noises.
I think my first impression wouldn’t have been that good if I’d started with this CD instead of the other.
Let’s start the sh*tstorm!!

02. Wandering, Never Wondering
Personal rating: ★★☆☆☆
Long story short: The only reason I can’t give this song 1 star is because I love its guitar / bass lines.
Merami’s vocal are (I can’t believe I’m saying this) AWFUL! I love Merami and I’m f*cking goin’ to fly to Japan and marry the f*ck outta her (that sounded way too rude), but here we have a double engrish-unexperienced singer (Merami grew a lot as a singer during FgE’s carreer) combo which ruined a song with really, REALLY high potential.
But in the sky lies a gentle God that heard our prayers and decided to…
…You’ll find out on part 4 of this retrospective.

03. 恋詠
Personal rating: ★★☆☆☆
A song like others.
An arrange of Faith is for Transient People which is very calming, I must say, but nothing that is strong enough to get stuck on my head.
I can easily forget about this song, but can’t rate it 1 star because its vocals are really well done, and overall is a simple but yet nicely done arrange.
Compared to the track #02, the vocals seem to belong to a different singer.
But, talking about instruments arrange, this song only stands out for the initial guitar riff, while the other was really strong on that point.
Hey, but fear not.
The same God from before listened to our prayers again, and brought us an even better arrange of Faith is for Transient People which completely overshadows this one becau—
Oh wait, I’m not allowed to talk about it now.
Let’s talk about that again on part 3 of this retrospective.

04. Alone With You (Dying To See Your Face)
Personal rating: ☆☆☆☆

……..
………..I’m sorry.
Let’s start saying we’re talking about the CD version of this song, not the demo CD one (which is definetely better).
And that Green Eyed Jealousy is one of my favourite touhou theme ever and it’s so difficult for me to find a fitting arrange, so I’m particularly picky when it comes to arranges for this theme.
I never liked this song.
Engrish vocals and not-so-well done, just like the track #02, but this time the rhythm, that is NOT BAD at all, is not even something that’s hard to forget, plus it completely fucks up the feel of the original theme by ZUN.
I’m sorry, that’s the first one-star song by FgE, in my opinion.
But there’s another version of this song, which we’ll talk again on part 5 of this retrospective.
I’m ending every songs’ opinion with “part (#) of this retrospective. Maybe I’m turning into a robot.

05. Throve Keys
Personal rating: ★★★☆☆
Finally something above 2 stars!
I like this song, and I was really happy to find out it was about Higurashi no Naku Koro ni which has been one of my favourite animes for a long time.
Don’t forget my nickname is Shion! Even though it’s not only due Higurashi. But who cares.
Truth is, this song’s biggest flaw are the vocals, but not because they’re bad.
They’re just weak and overshadowed by the other instruments.
If it was clearer, I would have easily gave this song 4-stars, because I really like it.
But thinking about it again… mmh… Nah, maybe it lacks of something else.
Now that I have a clear picture of how FgE make music and know lots of 5 and 4-stars worth songs, I think a 3-stars is more than fitting for this one.
Expecially if we compare this to another song wh-[COMING ON PART #3 OF THIS F*CKING RETROSPECTIVE]

06. White Wind
Personal rating: ★★★☆☆
This song is really similar both in rhythm and lyrics to Forget me Not from the previous post, but if I had to make a comparison, I’d say this one feels more like a first version of the other, making this a really good song but not as much as Forget me Not, in my opinion.
Again, there’s the problem of the voice that is weak and a bit overshadowed by the other instruments, and that’s a shame too.
This is surely the best track from this CD, and, again, this proves that FgE are really great when it comes to making original music.
Ahh~, why are they gone? WHY?!

Tears Will Become Melodies Tonight

This is the last album of Suzuori-era, which marks a new phase of FgE’s musical experience.
When I got into FgE’s music, this album was already out.
I clearly remember I listened to every other EPs / tracks as soon as they came out just after this album.
So, in a way, this album marked a new phase on my experience too.
I really enjoyed waiting for FgE to announce stuff, and, I must say, I really miss that feeling.
There’s no western / eastern band that was hyped for as much as I was for Foreground Eclipse…
[screamo sigh]

02. Fall Of Tears
Personal rating: ★★☆☆☆
I’ve listened to this song… really few times.
Because no matter what, I can’t get into it.
I know it’s not a bad song, but, at least to me, its impact is small.
For instance, its intro made a bigger impact to me than the whole song, and that’s nothing good, if you ask me.
Also, this song seems to be this CD’s most popular track (and also its symbolic track), so I’m actually kind of sad I’m not able to enjoy it as I would.
But maybe that’s also because I don’t like that much the original theme from where this comes from?
Mh. I don’t know. This song simply doesn’t talk to me.

03. Flames Within These Black Feathers
Personal rating: ★★★☆☆
Okay, this track is awesome.
It’s the most brutal from the whole album f—- No wait, it’s not. I remembered another one.
Why am I writing this when I could have simply erased the text?
Anyways.
I like this song and I remember liking it even more years ago.
And that’s why it’s a three-star. Because I like it, but not as much as I did before.
The drumtrack still makes me air-drum, though.
But… was it necessary the screaming? Mh…
There’s another version without screaming, and it’s probably a little bit better.
Nothing against screams, of course, but having heard the screamless version before, this one never quite felt like something better than the other.
Maybe let’s talk again about it on the fifth part? I’m sick of writing this sh*tty “let’s talk on post blablah” stuff.

04. Angels, Monsters, The Secret Lyrics
Personal rating: ★★☆☆☆
This song is like the melting clocks on Salvador Dali‘s paintings.
He drew them and realized people like it, so he put them again in at least 100 other f*cking paintings.
In other words, just because the first song was a success, it doesn’t mean you should do it over and over and over again.
This song is merely a parody of the previous one, both in style and title.
At least it’s pretty funny and the rhythm is catchy, but I can’t listen to it without hearing the other Secret Lyrics.
So… yeah, it’s nice but just nice.
By the way, this CD has the songs by FgE I forgot the most about.

05. Iris
Personal rating: ☆☆☆☆
Let’s just say this.
I forgot this song EXISTED until I came across it writing this post.
It’s not that bad actually, but… it has no shadow.
I can’t rate it 2 stars, because it’s not even close to the others I’ve rated as this.
It’s not foreground-eclipsish (WTFSRSLY) at all, and forgettable, and bland.
And, again, maybe it’s because I like the original theme a lot that this “critic” sounds amplified.
Or because it doesn’t sound like something Foreground Eclipse would have done.
But still, I couldn’t even remember this song’s existence.
That alone says it all.
I don’t actually think this song is that bad. It’s presence is just… wait, presence? I don’t think it has one to begin with. That’s the issue.

06. Magus Night
Personal rating: ★★☆☆☆
I remember this song years ago was my sh*t, I couldn’t stop listening to it.
Then, something happened.
It sounds so boring now, and I really don’t know why.
It’s not bad, of course. But not even something I’d listen until my ears would bleed.
In my opinion, this song is far from an “arrange”, and it’s more like a total transposition of the original theme into a song.
It’s not very original and it’s also very repetitive.
I can’t remember how I could have liked this song that much, but I can’t hate it either.
In the middle. Just like the whole CD.

07. Perchance To Dream: Ay, There’s The Rub
Personal rating: ★★★★★
…Okay, scrap that last part.
I f*cking loved this song when it came out on the demo CD and I still f*cking love it to this day.
I can’t even say why.
First of all, it’s an arrange of Ultimate Truth but not even a single bit of it seems like the original theme.
And that’s probably it.
Maybe it’s because it feels more like an original track that I like it that much.
Also, the engRish in this song is hard to comprehend, and so I have no problems with it, strangely.
Though I clearly remember I was shocked to find out it was actually in english.
Oh, by the way that’s the most brutal track from the CD I was talking about before, IMHO.
I don’t know why and I can’t explain why I love this song this much.
Really. It’s hard.
Let’s just accept the fact that it’s worth 5 stars, to me.
…But I actually like the demo-CD version a little better, for some reason. So this is not a full 5 stars, actually. Let’s say a 4,75 stars.

08. Calm Eyes Fixed On Me, Screaming
Personal rating: ★★★☆☆
This is by far the most famous FgE’s song from the Suzuori period.
Most of you probably don’t even know this, but this song is pretty well know in the western screamo panorama too. I clearly remember reading about it and seeing covers of it on youtube done by western fans.
Anyway, this song had a strange impact to me.
At first I didn’t like it at all, but now it’s different.
There are several parts of this song that I really like a lot (the first verses and lots of guitar riffs), but some others that I don’t like at all (some choruses, some bridges).
It’s like this song is constantly bouncing over a pitfall towards the heavens, just to fall down again and keep bouncing.
Bouncing from up to down can only mean three stars.
It’s a good song, but lacks of an integrity that, maybe, could have made this song a better one.

09. Florentia
Personal rating: ★★☆☆☆
The exact same things I’ve said about Iris applies to this one.
Except for two facts: it’s not from a touhou theme I like a lot & I somewhat remembered it more clearly.
Nothing remarkable but a bit more foreground-eclipse-ish and overall a nice song.
But again, I’ve listened to this CD very few times. So of course this post is about the absolute nothingness.

About this post

I think I can’t add anything about these two cds anymore.
At first I was sure that with Suzuori’s dismissions the band would have fall down, but this was proved to be wrong.
The next period, which starts with the Demo CD n°6 towards Each And Every Word Leaves Me Here Alone marks the rebirth of Foreground Eclipse, in which they’ll produce the best songs they ever made.
So, wait for the next post, because there will be tons and tons of stars!
Next post coming… whenever I feel like it.

Rating system:
☆☆☆☆ – Poor
★★☆☆☆ – Nice
★★★☆☆ – Good
★★★★☆ – Very Good
★★★★★ – Excellent

Retrospective parts:

Part 1: Wishes Hidden in the Foreground Noises
Part 2: Missing, Loving… and Suffering + Tears Will Become Melodies Tonight
Part 3: Each And Every Word Leaves Me Here Alone
Part 4: Stories That Last Through The Sleepless Nights
Part 5: Extra, Bonus tracks, Seated with Liquor

See you next post!
PS: don’t take my blabbering as universal laws.

Foreground Eclipse – A Retrospective: Part 1/5

FRG01

Time for a different kind of post (kinda foreshadowed before).
Most of you already figured out, but I like Foreground Eclipse a lot.
There has never been a band that made a huge impact on me as they did, and while right now I’m not sure I can say they’re the band I like the most, they’re surely one of the most important band I’ve ever listened to.
The band released their last album on December 2013, thus marking their end.
Some says “there are two kinds of musicians: those who die as legends and those who live long enough to become sh*t”.
I think Foreground Eclipse died as a legend.
In terms of music, a lot of people doesn’t know that Foreground Eclipse changed their arranger through their carreer.
The arranger, aka the composer, is the structure of the band.
But people seem to ignore this. Just like those guys who thank the uploader of a subbed video instead of thanking the one who translated everything. F*ck you! (justkiddingofcourse)
The original formation had Merami as the lead singer, Teto as the drummer / scream vocals and Suzuori as the bassist / guitarist.
Most of the arranges are labeled “Foreground Eclipse” on the first albums, but each and every original track has been composed by Suzuori.
So, the first Foreground Eclipse original sounds were Suzuori’s.
But the formation changed on 2011, with Suzuori’s left during the production of Each And Every Word Leaves Me Here Alone.
Let’s start from the Suzuori period from this post.
So, what is this post about?
My opinions (I’m writing this again: MY PERSONAL OPINIONS) on Foreground Eclipse’s song, with comments, stories, ratings and everything.
This is purely subjective and it’s not absolutely a critic to Foreground Eclipse.

——————————

Wishes Hidden in the Foreground Noises

For this first post, I’d like to talk about the first album I’ve listened to rather than the first one they produced (and also this wordpress’ namesake).
You can see at the bottom of this post how I’m going to deal with song rating and posts order.
I can’t remember what year was it when I first listened to this album, but sure was a long time ago.
Should be around the time it came out, around 2010-2011.
I think of this as the best album from the Suzuori period, completely overshadowing the previous and the next one (which I’ll discuss in the next post).
And here’s what I think about the tracks featuring in it.

02. Vermillion Halo
Personal rating: ★★★☆☆
This is the very first Foreground Eclipse’s song I’ve ever listened to, and I found it randomly while looking for arranges of Riverside View.
I clearly remember I’ve listened to it without knowing Foreground Eclipse nor their album, and when I first got to listen to the whole Wishes Hidden in the Foreground Noises, I was very disappointed.
My musical tastes were not the same I have today, and I wasn’t particularly fond of screamo music, so this song was the only song I could have listened to without saying “why the screams, WHY?!”.
What I really liked about this song is the guitar rhythm which is both powerful and very delicate, and I also loved the final segment where the song fades out into that peaceful lalala~. Ohh, Merami.
Nowadays, I don’t listen to this song so much, because Foreground Eclipse has changed a lot, and with them my music tastes have changed too.
It’s still an amazing song and a nice arrange of Riverside View, but the myself of 2015 can’t give it more than 3 stars.
Maybe, some years ago, this would have been a 5/5.

03. Oath of Allegiance
Personal rating: ★★★★
The exact opposite of the previous song.
At first, I hated it with all my heart. I wasn’t into screamo music and couldn’t understand how “those screaming are considered music”.
I can’t clearly remember when I fled from this way of thinking and started to like screamo music.
But still, is a type of music that I still enjoy a lot today, and it’s of course thanks to Foreground Eclipse.
This song is so epic, how can someone dislike it?
First of all, its arrange is brilliant, and the double singing it’s one of the most well done I’ve ever heard.
Plus, the whole song is very aggressive but its lyrics are really soft, and that’s what makes it even more brilliant.
It’s a song that I won’t get tired listening to, no matter what.
Not worth 5 stars, but keep on mind that 4 stars it’s like saying “full marks”, while 5 stars means “full marks and hearts drawn around it with a red pen”.
That’s the most retarded metaphor ever.

04. I’m The Seeker (Maybe Each Your Word Calls For It)
Personal rating: ★★☆☆☆
Warning! 2 stars doesn’t mean I don’t like it! Only 1-star songs are “bad” scored.
This song is pretty brutal too, but I never actually got really into it.
Of course I like it, but there are lots of things about it that I can’t really stand.
First of all, the rhythm is cool but hard to listen because of its complex tempo, I can’t simply relax listening to this!
Second, the english sections.
Okay, I should be forgiving on japanese people singing in english (and I am, expecially if we’re talking about Merami), but while on other songs by them is pretty hard to understand the english section, in this one they’re pretty clear.
So, wrong pronunciations are pretty clear too.
There are FgE’s songs that I didn’t know were in english at first!
Also, the japanese section of this song is really good, and it’s a shame it’s so short.
I think they should have keep that type of sound for this song.
Still, this song builds up a clear picture of what its lyrics are talking about. And that can’t be negative at all.

05. Dancing With Happiness And Sadness
Personal rating: ★★☆☆☆
Pretty much the same things I said about the previous one can fit into this.
With the exception that this song isn’t brutal at all.
I’d say this song is not foreground-eclipseish (??) at all.
It’s still a nice song, but are we really sure Foreground Eclipse are behind it?
Nothing particular, but well executed.
Can’t give it 1 star because I don’t think it’s a bad arrange, but it isn’t that outstanding too.
If I didn’t know this song was on their CD, I would have guessed it was a different circle, like Draw the Emotional. That’s exactly why I can’t take this song as a FgE’s one.

06. In A Night When Her Sorrow Resounds Around
Personal rating: ★★★☆☆
When I finally got into screamo music, this one was probably my favourite track of the whole CD, at the beginning.
While I still think of it as an amazing arrange with nice lyrics / vocals, I can’t say that it stands out that much as I thought before.
That’s because its rhythm (which I like a lot, of course) lacks of something.
The drum section is marvelous and the guitar is really good, but I can’t say the same about the piano / chorus vocals and sometimes the normal vocals too.
It’s not like they’re bad, they’re just not-so-fitting sometimes.
To me, it sounds like the whole song lacks of something in some parts.
As if it’s filled with empty moments that should have been filled in some way or another.
And now it looks like I’m criticizing this song, but I’m not.
This song meant a lot to me back on those days, and I still love it as I did before.
Also, this song randomly shouts “Senses Fail” at a certain point.
And googling, lots of years ago, I found out it was a band. So, I’ve listened to “Bite to Break Skin” by them and…
They’re still one of my favourite band nowadays.
It’s amazing how things that happen randomly lead you into find something new and special.
And I could have never find out about them if it wasn’t for Foreground Eclipse!
I’m thankful to them in each and every possible way.

07. Truths, Ironies, The Secret Lyrics
Personal rating: ★★★☆☆
By far the most brutal out of the album, I swear it could have love it even more if its lyrics weren’t like that!
But that’s also what makes the song special.
Foreground Eclipse are actually one of the most succesful band on the touhou doujin panorama, and when this album came out, they weren’t yet popular.
So, I always symphatized with the lines on this song where they wish they were as popular as other touhou-music circles.
By now, the gained even more fame than most of them, and I couldn’t be happier.
Also, I remember I was pretty shocked reading its lyrics.
They were, indeed, “Secret”.
The arrange, by the way, isn’t half bad.
Everyone not paying attention to the lyrics could mistake it for a proper song with proper lyrics, because its structure suggests so.
I think this song shines more for its bizzarre lyrics rather than its actual musical contents.
That’s why I can’t give it more than 3 stars. It’s a good song after all.

08. Forget Me Not
Personal rating: ★★★★★
There we go, the first 5 stars!
I’m saying this on this first post and it can easily apply to every other post: Foreground Eclipse is a great musical circle and their touhou arranges are really good, but the songs where they shine the most are those that doesn’t involve Touhou project.
But we’ll talk again about it on other posts, expecially when we’ll come in contact with certain songs.
For now, let’s focus on Forget Me Not.
This song is outstanding.
No screams, and there’s actually no need for them, a simple and smooth guitar track that one can’t get away from his/her mind, a calming and intense bass line and an energetic yet somehow really appropriate drum beat that, along with one of the most beautiful lyrics from the Suzuori-era, makes the first original Foreground Eclipse song to shine brighter than the other tracks on the same CD.
I think of this song as the best original track from the first era of Foreground Eclipse, but it also made me realize something about the next era.
But… we’ll talk about it once we reach the third post.
Anyway, this song has everything a masterpiece requires.
The best track of the album in my opinion, and, still in my opinion, a little bit overshadowed my other tracks that aren’t as great as it is.
And it means a lot to me. Let’s not forget everything’s just part of my opinions.

09. THE DISTANT JOURNEY TO YOU
Personal rating: ★★★★
Well, this song too, like Vermillion Halo or In a Night When her Sorrow Resounds Around, used to be one of those who I couldn’t stop listening to.
Like other screamo tracks, I completely ignored this one at the beginning, only to discover, later, that it was indeed an awesome track.
I also named my previous (failure-filled) wordpress after this track, and I think there’s actually a western touhou music circle that uses it as their name.
The song isn’t an original not either a Touhou arrange, it’s a remake of a previous song sung by Merami by the circle SUPER POWER.
This song is, in my opinion, one of the most important Foreground Eclipse’s song, but to explain it better we need to wait post #4 and #5.
So, keep it on mind for now!
I don’t listen to this song that much nowadays because it marked a certain period of my life, and I want it to stay as it is.
So… yeah, I love this song but I can’t say I listen to it that often as I did before!

About this post

I decided to start with their second album because it’s the first one I’ve listened to, and, in my opinion, the best and most important album from the first Foreground Eclipse’s period.
The next post will be about Missing, Loving… and Suffering and Tears Will Become Melodies Tonight, which are, in my opinion, far from this album’s sounds, in a general way (and the two albums I dislike the most…).
You can check the rating system down below, as well as the posts order.
Hope you enjoyed reading all of this, and I hope everyone asking me opinions about Foreground Eclipse will be satisfied!
Next post coming… maybe not so soon, but coming for sure.

Rating system:
☆☆☆☆ – Poor
★★☆☆☆ – Nice
★★★☆☆ – Good
★★★★☆ – Very Good
★★★★★ – Excellent

Retrospective parts:

Part 1: Wishes Hidden in the Foreground Noises
Part 2: Missing, Loving… and Suffering + Tears Will Become Melodies Tonight
Part 3: Each And Every Word Leaves Me Here Alone
Part 4: Stories That Last Through The Sleepless Nights
Part 5: Extra, Bonus tracks, Seated with Liquor

See you next post!
PS: check this post’s category.